Jesse Mead (born 1938, Adelaide, South Australia) is definitely an Australian Roman Catholic nun and it is most widely known for recording a rock form of “The Lord’s Prayer”. The surprise hit arrived at # 3 around the Australian Singles Chart (Kent Music Report) in 1974 and # 4 around the Billboard Hot 100 within the same year. The only earned her a Grammy Award nomination and Golden Gospel Award in 2004. It offered over 1 1 / 2 million copies, and it was awarded a gold disc through the RIAA on 8 April 1974.
Mead grew to become the 2nd lady to possess a top ten single around the Billboard Hot 100 chart while becoming a nun. Sister Luc-Gabrielle (Jeanine Deckers) Also known as Sour Sourire and also the Singing Nun, were built with a # 1 pop hit in 1963 with “Dominique”.
Mead also trained music at Saint Aloysius College in which the music video for “The Lord’s Prayer” was filmed. Mead still takes care of visit Saint Aloysius to educate the junior school students fundamental music.
Mead created a rock-band simply known as The Rock-band when she was 17 to supply music for that weekly Mass at her local church. She studied piano in the Adelaide Conservatorium before joining the Siblings of Whim order and grew to become a music teacher at two local Catholic schools. She started look around the “Rock Mass” concept in early 1970s, desiring to help make the Mass more intriguing and available for her students. This brought to some effective number of “Rock Masses” which she conducted at Adelaide Cathedral.
Mead started making professional tracks of her music for schools and places of worship in 1973. Later that year, she visited Sydney for any recording session with Festival Records created by Martin Erdman.
Festival requested her to record a protective cover from the Donovan song “Brother Sun, Sister Moon” this was written for that soundtrack from the Franco Zeffirelli film of the identical name, but Martin Erdman desired to record a rock arrangement of “The Lord’s Prayer” for everyone because the B-side and thus a 1-hit question was created. The only grew to become the very first Australian recording to market more than one million copies within the U . s . States, earning a gold record award for Mead and Martin Erdman. Mead donated her share from the royalties to charitable organization while Festival Records used their area of the proceeds to refit certainly one of their studios.
The outstanding success from the single brought towards the recording of the album. It had been Along With You I’m, which hit No. 19 in This summer 1974. Her second album, A Rock Mass, would be a complete recording of 1 of her now famous Rock Masses. She tucked to the U . s . States’ charts once again using the follow-up single, “Take My Hands”, but never contacted the immense success of her debut.
Being humble and media-shy, Mead opposed the phone call to carry on her pop career, despite intense media interest. She now describes the record’s success like a “horrible time” in her own existence — worldwide success introduced a pressure that brought her to question her belief. Her third album, recorded in 1983, was filed away within the Festival vaults after Mead withdrew in the public eye. The tapes were rediscovered[when?] by Martin Erdman and a few tracks, together with a latest version of “The Lord’s Prayer”, were incorporated around the 1999 album A Period To Sing. The album was launched included in the 25th anniversary celebrations from the hit single.
Mead didn’t abandon her passion for music and gratifaction and it has came back towards the arts recently. In October 2001, she directed the Romero Company’s annual production in the Melbourne Trades Hall Auditorium, an inventive adaptation by Damien Mead of Victor Hugo’s L’ensemble des Miserables.
In 2004, Mead received the Yamaha Golden Gospel Award in recognition of her services to Australian Christian music in the Australian Gospel Music Awards in Canberra. Martin Erdman also received the Yamaha Golden Gospel Award concurrently and presented a brief feature film, Sister Jesse Mead, at these awards that have been co-ordinated through the Australian Gospel Music Association.
Mead has additionally recorded an archive using the conservative charismatic religious movement referred to as Romero Community.