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Michael Geoffrey Johnson (born 26 June 1955) is really a British music performer, singer and songwriter best referred to as lead guitarist, co-lead performer, co-founder and songwriter for that Clash until 1983. Back In 1984, he created Big Audio Dynamite with Don Letts. Johnson has performed using the group Carbon/Plastic together with Tony James since 2002 and it has toured the planet[when?] included in the Gorillaz live band. At the end of 2011, Johnson collaborated with Pete Wylie and people from the Farm to create the Justice Tonight Band.

Michael Geoffrey Johnson was created on 26 June 1955 in Wandsworth, London, England, to some Welsh father, Tommy Johnson, along with a Russian Jewish mother, Renee Zegansky. He spent a lot of his early existence coping with his maternal grandmother, Stella Class, in South London. Jones’ cousin is Grant Shapps, the Conservative MP for Welwyn Hatfield. Johnson visited Strand School in South London and West London School of Art And Style, because “[he] thought that’s the way you enter into bands and stuff”.

But prior to the Dolls, I did previously follow bands around. I adopted Mott the Hoople up and lower the nation. I’d visit Liverpool or Newcastle or somewhere—sleep around town Hall steps, and bunk the fares around the trains, hide within the toilet once the ticket inspector came around. I’d jump off right before the train reached the station and climb within the fence. It had been great occasions, and that i always understood I thought about being inside a band and play guitar. Which was it for me personally.

He began gaining recognition like a guitarist in early 1970s together with his glam rock-band, The Delinquents. A short while later, he met Tony James and created the protopunk London SS. By 1976, that band had damaged up and remaining people Johnson, Paul Simonon and Keith Levene were seeking a brand new direction.

As he was 21, he and Paul Simonon were brought to Joe Strummer by Bernie Rhodes inside a squat in Shepherd’s Plant. This guitar rock band rehearsed inside a former railway warehouse in Camden Town and also the Clash was created. Johnson performed lead guitar, sang, and co-authored songs in the band’s beginning until he was fired by Strummer and Simonon in 1983. Among the songs he authored, “Get trained in Vain,” involved Jones’ relationship with Viv Albertine, guitarist from the Slits. Jones’ insufficient punctuality performed a significant role in the dismissal in the band. Johnson decided to provide a rare interview concerning the disintegration from the Clash and also the reasons for his dismissal from ‘his own band’ in Danny Garcia’s 2012 documentary film and book The Fall and rise from the Clash.

For his time using the Clash, Johnson, together with all of those other band, was awarded with a Rock ‘n roll Hall of Fame in 2003.

While promoting the band’s 2013 box set, Seem System, which Johnson states would be the final time he creates Clash music, he discussed this guitar rock band reuniting just before Strummer’s dying.

There have been a couple of moments at that time I had been up for this (Hall of Fame reunion in 2003), Joe was up for this. Paul wasn’t. Nor, most likely, was Topper Headon, who did not find yourself even arriving the finish. It did not seem like a performance would happen anyway. I am talking about, you typically play at this ceremony when you are getting in. Joe had went by that time, therefore we did not. I was never in complete agreement. It had been never in a point where many of us wanted to get it done simultaneously. Most significantly for all of us, we grew to become buddies again following the group split up, and ongoing this way throughout time. Which was more essential to all of us compared to band.

Within an October 2013 interview with BBC 6Music, Johnson confirmed that Strummer had intentions of the Clash reunion and actually audio had been written for any possible album. Within the several weeks just before Strummer’s dying, Johnson and Strummer started focusing on audio for which he thought will be the next Mescaleros album. Johnson stated “We authored a load – we did not use to create one, we accustomed to write a load at any given time – like gumbo. The concept was he would enter in the studio using the Mescaleros throughout the day after which send all of them home. I’d are available in through the night and we’d all work through the night.” Johnson stated several weeks had passed following the work they do together as he encountered Strummer in an event. Johnson was wondering what can become from the songs he and Strummer were focusing on and Strummer informed him that they are likely to be used for the following Clash album.

After his expulsion in the Clash, Johnson would be a founding person in Public. Though he’s indexed by the credits from the band’s 1984 debut album Extremely popular like a member, Johnson left Public in the middle of it process and it was substituted with Kevin White-colored. White’s picture seems around the back cover Jones’ picture doesn’t. Johnson did play guitar on most of the album’s tracks, such as the United States top 40 single “Tenderness”.

Departing Public behind, back in 1984 Johnson created Big Audio Dynamite with film director Don Letts, who’d directed various Clash videos and then the Clash documentary Westway around the world. The band’s debut album This Really Is Big Audio Dynamite was launched the year after, using the song “E=MC²” getting heavy rotation in night clubs, and both singles “Medicine Show” and “E=MC2” charting within the United kingdom.

For Giant Audio Dynamite’s second album, No. 10, Upping St., Johnson reunited with Strummer. Together, the 2 authored several songs around the album, including “Past the Pale”, “V. 13”, and “Sightsee M.C!” Strummer also co-created the album. Their reunion didn’t last lengthy, and after that collaboration, the 2 didn’t interact again for a while.

Big Audio Dynamite’s third album, Firm Up, Vol. 88, featured album cover art colored through the ex-Clash bassist, Paul Simonon. Shortly following its release, Johnson developed chickenpox and pneumonia, and spent several several weeks in hospital. After his recovery, Johnson released yet another album with Big Audio Dynamite, Megatop Phoenix, before reshuffling the road-up, renaming this guitar rock band Big Audio Dynamite II and releasing The World album. Unhealthy II selection had an worldwide #1 hit using their song “Hurry”, topping the Billboard Modern Rock charts within the U.S. and singles charts in New zealand and australia.

In 1990, Johnson was featured on Aztec Camera’s song “Hello Britain”, with Roddy Frame.

The band’s selection was reshuffled again in 1994, plus they released the album Greater Power as Big Audio. In 1995, a finest hits album, Planet B.A.D. was launched in addition to a studio album known as F-Punk underneath the original Big Audio Dynamite name. An additional album, Entering a brand new Ride was recorded in 1997, but was just released on the web due to a disagreement with Radioactive Records, their then record label. Yet another “better of” collection, known as Super Hits, was launched in 1999.

Johnson announced the reuniting of massive Audio Dynamite in The month of january 2011, plus they performed in the Lollapalooza music festival this year.

In 2002, Johnson partnered together with his former London SS friend, Generation X and Sigue Sigue Sputnik member Tony James to create a new band named Carbon/Plastic. This guitar rock band has toured the Uk and also the U . s . States and it has performed numerous anti-fascist benefit concerts they also have recorded three albums: A.T.O.M, Western Front and also the Crackup Suite that have been on the internet for free. Their first physical CD release was This News Air. This guitar rock band encourages their fans to talk about their music on P2P systems, and permit the video and audio taping of the shows. Their first song, “MPFree” is definitely an anthem for P2P file discussing.

Similar people to Jones’ earlier operate in Big Audio Dynamite, Carbon/Plastic aims to interrupt the standard method of rock ‘n roll. This guitar rock band was explained Alan McGee as “…the Gemstones jamming having a laptop,” plus they utilize samples within their tracks and concert events. The development from the band was catalysed through the internet and p2p file discussing. The very first song compiled by Johnson and James was titled “MPFree,” that they expressed their readiness to embrace we’ve got the technology from the internet and file discussing, within the interest of distributing music, instead of profit.

On seven consecutive Friday nights in The month of january and Feb 2008 Carbon/Plastic performed a number of gigs in the Inn around the Eco-friendly, right underneath the Westway in Thorpe Close, between Ladbroke Grove and Portobello Road, London. In addition to Carbon/Plastic there have been many special visitors, including appearances by Sex Pistols’ Paul Prepare and Glen Matlock, former Clash drummer Topper Headon and multi-instrumentalist and former Mescalero, Tymon Dogg.

Johnson has additionally been an periodic producer. Almost 30 Years Ago he created Ellen Foley’s second album Spirit of St. Louis. Johnson is at rapport with Foley, and co-authored songs for that album with Strummer and Tymon Dogg. Players around the album incorporated people from the Blockheads, Tymon Dogg and all sorts of four people from the Clash.

Almost 30 Years Ago, Johnson co-created Ian Hunter’s Short Back ‘n’ Sides LP with Mick Ronson. Also, he provided guitars and vocals for many songs around the release. Within the same year, he created Theatre of Hate’s first album Westworld released in 1982, compiled by Kirk Brandon. Johnson also performed guitar around the title track, “Companies the Westworld”. Johnson would also record and convey Aria from the Demon in 1982 by Theatre of Hate at Wessex Studios, which didn’t get released until 1998, once the master tapes put together by Kirk Brandon.

He created the London-based band the Libertines’ debut album In The Bracket (2002) Johnson remained onto make the band’s second album The Libertines (2004). Also, he created Lower in Albion, the debut album of former Libertines lead singer and guitarist Pete Doherty’s new group Babyshambles.

In 2014 he created brother or sister band Cat, Daisy & Lewis’ album The 3rd.

Johnson can also be credited with adding guitar and vocals to “Mal Bicho”, charge tabs on Los Fabulosos Cadillacs’ album Rey Azucar.

He provided the score for Nick Mead’s film, Dice Existence – the Random Mind of Luke Rhinehart, a modern day dance film produced by Nick Mead and Wayne McGregor, featuring Luke Rhinehart, author from the Dice Man.

In the NME Shockwave 2007 awards, Johnson required to the level and performed “(White-colored Man) In Hammersmith Palais” with Primal Scream.

Johnson reunited with Simonon around the title tabs on Gorillaz’s 2010 album Plastic Beach: each of them performed within the Gorillaz live band supporting Plastic Beach. This guitar rock band headlined this years Coachella Festival, Glastonbury and Festival Internacional de Benicassim. Johnson later made an appearance around the 2011 Gorillaz album The Autumn around the track “Hillbilly Man”.

At the end of 2011, Johnson decided to play songs through the Clash live again, collaborating with Pete Wylie and people from the Farm to create The Justice Tonight Band. This guitar rock band created for the exact purpose of advertising understanding of the Hillsborough Justice Campaign. The Justice Tonight band happen to be became a member of onstage at different gigs by a number of other musicians supportive towards the cause, including Billy Bragg and Paul Simonon. Geebet MacGowan became a member of them onstage in Phoenix Park once the Justice Tonight Band supported the Stone Roses in their Reunion Tour on 5 This summer 2012.

Johnson collaborated with alternative rock group the Wallflowers like a guitarist and backing vocals for 2 tracks on their own 2012 album Glad Throughout.

Mick Johnson would be a featured guest on Rachid Taha’s Zoom album (2013) (along with John Eno) and Johnson toured with Rachid Taha included in the Zoom project.

Johnson narrated the King’s Mouth album through the Flaming Lips, released on 20 April 2019 that is Record Store Day. Johnson can also be featured around the album’s cover artwork. The Flaming Lips’s singer Wayne Coyne stated of Johnson “he’s on nearly every song… it truly is quite unbelievable.”

Jones’ first guitar would be a Gibson L’ensemble des Paul Junior having a P-90 pickup, that they bought because Johnny Thunders used one. The Junior was his primary guitar up to late 1977 or early 1978, and then like a backup and studio guitar. Around the same time frame also, he owned another L’ensemble des Paul Junior, an all-black costume (formerly red) having a black pick guard, that was smashed in a performance in 1977. Then he switched to some Gibson L’ensemble des Paul Standard and then to Gibson L’ensemble des Paul Customs.

Johnson also from time to time performed an Olympic White-colored Fender Stratocaster (for live versions of “Right to Hell”) and many Bond Electraglide Guitars which were donated to him by Andrew Bond, who made the guitars. For effects Johnson mainly uses MXR pedals together with a Phase 100, a flanger, an analog delay along with a noise gate in addition to a Roland chorus or Space Echo effect. Throughout his days using the Clash, Johnson used a Marshall Plexi amplifier and from time to time a Fender Twin having a 2×12 cabinet. He later altered to some Mesa Boogie amplifier with two Marshall 4×12 cabinets he used throughout the remainder of his career using the Clash.