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The Payne Whitney home is a historic building at 972 Fifth Avenue at 79th Street in Manhattan, New You are able to City. It had been created by Stanford White-colored and it is one among exceptional architect’s finest mature works. It’s presently the house of the Cultural Services from the French Embassy within the U . s . States, and houses a French-language book shop, the Albertine.

It had been developed in design for our prime Italian Renaissance by McKim, Mead & White-colored. It had been erected in 1902-06 for financier, philanthropist, and sportsperson Payne Whitney and the wife Helen, a poet and patron from the arts. Whitney had been administered the land by his uncle Oliver Payne, who had been a police officer within the Civil War and also the benefactor instrumental in creating the Cornell College Medical College. Commissioned in 1902 by Payne Whitney’s uncle Colonel Oliver Hazard Payne like a wedding gift for his nephew and the bride, Helen Hay, the Colonel had set up $625,000 to construct the 5-floor mansion, the making of that was still under White’s supervision as he was murdered in 1906.

Stanford White-colored designed and oversaw the making of the outside and interiors of the home.

White-colored obtained a marble statue sculpted by Michelangelo c. 1490 and installed it on the fountain in the Fifth Avenue mansion of Mr. and Mrs. Harry Payne Whitney. The statue, “Youthful Archer,” is presently on loan towards the Metropolitan Museum of Art.

Helen Hay Whitney ongoing to reside in the home until her dying in the mid 1940s. (Whitney had her favorite space within the mansion, the Venetian Room, removed and preserved before her dying [the home was offered in 1949]. In 1997, the area was donated towards the French-American Foundation by Betsey Cushing Roosevelt Whitney, widow of Payne and Helen Whitney’s boy, Jock Whitney, who provided funding because of its restoration.) Since 1952 your building has offered like a division from the French Embassy. It had been restored later, uncovering a stained-glass window designed specifically for the home by John La Farge.

A Delegated Landmark New You are able to City plaque was supplied by the brand new You are able to Landmarks Upkeep Foundation in 1989.

The Albertine book shop and studying room opened up in September 2014 and processes like a cultural space with frequent occasions.

Coordinates: 40°46′35.5″N 73°57′49″W / 40.776528°N 73.96361°W / 40.776528 -73.96361

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The Theatre du Palais-Royal (or Salle du Palais-Royal) around the rue Saint-Honore in Paris would be a theatre within the east wing from the Palais-Royal, which opened up on 14 The month of january 1641 having a performance of Jean Desmarets’ tragicomedy Mirame. The theatre was utilized through the troupe of Moliere from 1660 to 1673 so that as an opera house through the Academie Royale de Musique from 1673 to 1763, if this was destroyed by fire. It had been reconstructed and reopened in 1770, however was destroyed by fire in 1781 and never reconstructed.

The Palais-Royal was initially referred to as Palais-Cardinal, because it was built-in the 1630s because the principal residence of Cardinal Richelieu. In 1637 Richelieu requested his architect Jacques Le Mercier to start focus on the theatre, which opened up in 1641 and it was initially referred to as Great Hall from the Palais-Cardinal. Upon Richelieu’s dying in 1642, he left the home to King Louis XIII, also it grew to become referred to as Palais-Royal, even though the name Palais-Cardinal sometimes still ongoing for use.

The troupe of Moliere and also the troop from the Italians placed on the shows here between 1660 and 1673. Moliere’s noticably plays were performed here, including L’Ecole plusieurs femmes (first performed 26 December 1662), Tartuffe (12 May 1664), Dom Juan (15 Feb 1665), Le Misanthrope (4 June 1666), L’Avare (9 September 1668), Le Bourgeois gentilhomme (23 November 1670), and Le malade imaginaire (10 Feb 1673).

Around the dying of his old collaborator, Lully ejected Moliere’s troupe to a different home in the Hotel de Guenegaud and re-used the theatre because the opera house from the Academie royale de Musique (the specific Paris Opera at that time). Lully had much building work done onto it to be able to allow installing new stage machinery created by Carlo Vigarani, able to support the imposing teams of the operas he’d later placed on here. This replaced that old machinery created by Giacomo Torelli in 1645. After Vigarani’s modifications the theatre were built with a total capacity of approximately 1,270 spectators: a parterre for 600 standing, amphitheatre seating for 120, and boxes with balconies accommodating another 550. Happens was 9.4 meters across and 17 meters deep, with space in-front for that orchestra 7.6 meters across and three meters deep.

A number of Lully’s operas (tragedies en musique) were premiered in the Palais-Royal, including Alceste (19 The month of january 1674), Amadis (18 The month of january 1684), and Armide (15 Feb 1686). Within the 1700s a lot of Rameau’s works were first performed here, including Hippolyte et Aricie (1 October 1733), L’ensemble des Indes galantes (23 August 1735), Castor et Pollux (24 October 1737), Dardanus (19 November 1739), and Zoroastre (5 December 1749).

The Opera’s first theatre was destroyed by fire on 6 April 1763.

The Town of Paris, that was accountable for the opera house, made the decision to construct a brand new theatre on the site slightly further towards the east (in which the rue de Valois is situated today). Meanwhile the organization performed within the Salle plusieurs Machines within the Tuileries Palace, that was first reduced to some size more appropriate for opera through the architect Jacques-Germain Soufflot. The brand new theatre within the Palais-Royal was created by architect Pierre-Louis Moreau Desproux called the first purpose-built opera house in Paris. It’d a capacity in excess of 2,000 spectators.

The brand new theatre opened up on 20 The month of january 1770 having a performance of Rameau’s Zoroastre. It’s especially significant because the theatre where the majority of the French operas of Christoph Willibald Gluck were first performed, including Iphigenie en Aulide (19 April 1774), Orphee et Eurydice (in france they form of Orfeo erectile dysfunction Euridice) (2 August 1774), the revised form of Alceste (23 April 1776), Armide (23 September 1777), Iphigenie en Tauride (18 May 1779), and Echo et Narcisse (24 September 1779). One of many other works premiered listed here are Piccinni’s Atys (22 Feb 1780), Gretry’s Andromaque (6 June 1780), Philidor’s Persee (27 October 1780), and Piccinni’s Iphigenie en Tauride (23 The month of january 1781).

The theatre ongoing for use through the Opera until 8 June 1781, if this too was destroyed by fire. The Theatre en Porte Saint-Martin, much further towards the north around the Boulevard Saint-Martin, was hurriedly built-in two several weeks to replace it all. Meanwhile the opera company performed within the Salle plusieurs Menus-Plaisirs around the rue Bergere.

Facade of Moreau’s opera house

Transverse section

Ground-level floorplan

First-loges level

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The Salmon of Understanding (Irish: bradan feasa) is really a creature working within the Fenian Cycle of Irish mythology. (Frequently it’s identified with Fintan mac Bochra, who had been referred to as “The Wise” and it was once changed into a salmon.)

The Salmon story figures conspicuously within the Childhood Deeds of Fionn, which recounts the first adventures of Fionn mac Cumhaill. Based on the story, a regular salmon ate nine hazelnuts that fell in to the Well of Knowledge (an Tobar Segais) from nine hazel trees that encircled the well. With this act, the salmon acquired all of the world’s understanding. The very first person to consume of their flesh would consequently gain this understanding.

The poet Finn Eces (or Finegas) spent seven years fishing with this salmon. Finally Finn caught the salmon and gave the fish to Fionn, his servant and boy of Cumhaill, with instructions to prepare it but for no reason to consume any one of it. Fionn cooked the salmon, turning it again and again, however when he touched the fish together with his thumb to find out if it had been cooked, he burnt his finger on a small amount of hot cooking fish fat. Fionn drawn on his burned finger to alleviate the discomfort. Little did Fionn realize that all the salmon’s knowledge have been concentrated into that certain drop of fish fat. As he introduced the cooked meal to Finn Eces, his master saw the boy’s eyes shone having a formerly unseen knowledge. Finn Eces requested Fionn if he’d eaten the salmon. Answering no, the boy described what had happened. Finn Eces recognized that Fionn had received the knowledge from the salmon, so gave him all of those other fish to consume. Fionn ate the salmon and in that way acquired all of the understanding around the globe. Throughout the remainder of his existence, Fionn could draw this understanding just by biting his thumb. The deep understanding and knowledge acquired in the Salmon of Understanding, permitted Fionn to get the best choice from the Fianna, the famous heroes of Irish myth.

In Welsh mythology, the storyline of methods the poet Taliesin received his knowledge follows an identical pattern.

In 1999, in celebration from the return of fish towards the River Lagan, the town of Belfast erected a sculpture entitled The Salmon of Understanding but in your area known as The Large Fish.